The music is stripped to its rhythmic core — no vocalist, keyboard or brass section, just an A-list quintet in which Puente is accompanied by acoustic bassist Bobby Rodriguez and conga and bongo players Willie Bobo, Patato Valdes and Mongo Santamaria. Most of the eight tracks explore Cuban-derived mambo and cha-cha-cha rhythms. If you love percussion-breaks, here are 34 minutes of pure heaven.
Transition was a shortlived label set up by producer Tom Wilson who, as one of the few African American rock producers of the s, worked on breakthrough albums by Bob Dylan, the Velvet Underground, the Mothers of Invention and Soft Machine.
Taylor was in front, but Ornette Coleman would emerge a year later and Sun Ra was limbering up. Bags of energy, solid guitar work, but few signs yet of the greatness that was to come. A collectable artefact nonetheless. Chicago bluesman Little Walter did for the harmonica what Jimi Hendrix later did for the electric guitar. In response, Walter developed the technique of cupping a microphone next to his harmonica and plugging the lead into his own amplifier, turning it up to 11 and purposefully creating distortion and other high-decibel sonic effects.
It is no coincidence that he employed the young Albert Ayler in his own touring band in The Best Of Little Walter includes 10 of his best-selling singles. A master technician, Segovia was also a supremely soulful player, and this, like all his albums of the period, is a delight.
The disc featured Kirk on two obscure, signature instruments, the manzello and the stritch, as well as the tenor saxophone, and also introduced his revolutionary technique of playing two or three horns at once.
King released the LP in a limited run and to little comment and it continued to be overlooked once Kirk made his breakthrough in the s. Enthusiasts found a solution by making single-sided discs on x-ray film. Audio quality was poor, but better than nothing. The practice was banned by the Soviet authorities in , but continued. While Berry put the instrumental focus on his guitar, Richard bounced his piano off an eviscerating saxophone section featuring tenor soloists Lee Allen and Grady Gaines.
Fifty years on, it is easy to mock the exotica of bandleaders such as Les Baxter and Martin Denny. Meanwhile, sit down with a Pina Colada, Mai Tai or exotic cheroot, as the fancy takes you, and kick back.
While Les Baxter and Martin Denny were in the mids exploring earthbound exoticism, Sun Ra had already embarked on an off-planet trajectory. Zomer in de stad, 6. Ursula, 7. Eventuele verzendkosten. Sitemap Waiter! Dan Wallin Recorded By. Add Review Deyan80 June 21, Report. Reply Notify me Helpful. Looks and plays very cool. Reply Notify me 1 Helpful. It sounds great and looks awesome.
No surface noises on my copy. LP Appears Glossy, Unplayed. Features Sonny Rollins Recorded In This Is Set Number Of New, Unplayed Small Corner Crease Label Variation Unknown. Appears Glossy, Unplayed Previously Unissued Recordings From Top Recommendation.
Live In Paris, - Alhambra Vol. Other songs were suggested to Tarantino by his friends Chuck Kelley and Laura Lovelace, who were credited as music consultants. Lovelace also appeared in the film as Laura the waitress. Excerpts of dialogue include Jules' " Ezekiel " speech and the "Royale with Cheese" exchange between Jules and Vincent. A two-disc collector's edition of the album was issued in — the first disc contained the songs, including four additional tracks; and the second disc was a spoken-word interview with Tarantino.
Woody Thorne's song "Teenagers in Love" and Link Wray 's single "Rumble" are two of the three songs missing from the collector's edition soundtrack. The soundtrack reached No. The Orange County Register described why the soundtrack of Pulp Fiction stood out from all the others: "Unlike so many soundtracks, which just seem to be repositories for stray songs by hit acts regardless of whether they fit the film's mood, Tarantino's use of music in Reservoir Dogs and Pulp Fiction exploded with a brash, Technicolor, pop-culture intensity that mirrored the stories he was telling.
Analyzing the success of Tarantino's marketing, Billboard chalked up MCA's compilation to identifying the market niche: " Pulp Fiction Del-Fi Records released a compilation CD in entitled Pulp Surfin' featuring songs by those bands plus sixteen other surf tracks from the vaults. The cover artwork was yet another parody of the Pulp Fiction movie poster.
Inspired by the soundtrack, advertisers started to use surf music in their commercials "to help sell everything from burritos to toothpaste", making surf music hugely popular again. More than two years after the film was released, the influence and monetary success was still being felt in the industry. Lambchop Trip [LP] Kacey Musgraves. Smashing Pumpkins. Chris Stapleton. Neil Young The Times 9. Mastodon Medium Rarities The Flaming Lips.
Rex [2CD] Various Artists. Deftones Ohms [LP]Music from the Motion Picture Pulp Fiction is the soundtrack to Quentin Tarantino's film Pulp talsgolddopobanfarb.trepinsitaworkntillyenepmyowicriti.co traditional film score was commissioned for Pulp talsgolddopobanfarb.trepinsitaworkntillyenepmyowicriti.co film contains a mix of American rock and roll, surf music, pop and talsgolddopobanfarb.trepinsitaworkntillyenepmyowicriti.co soundtrack is equally untraditional, consisting of nine songs from the movie, four tracks of dialogue snippets followed by a song, and three tracks.