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Way Down Yonder In New Orleans - Jimmie Noone - Jimmie Noone 1936-41 (Vinyl, LP)

Customer Review Release Date Bestselling. Sample this song. Title Artist. Your Amazon Music account is currently associated with a different marketplace. Back to top. Get to Know Us. Amazon Payment Products. English Choose a language for shopping. Skip to main content There's a problem loading this menu right now. Artist Overview Albums Digital Music. El Rado Scuffle.

Chicago Rhythm. Chicago Rhythm I Got A Misery Wake Up, Chillun, Wake Up Love Me Or Leave Me Anything You Want Birmingham Bertha 2. Am I Blue 3. My Daddy Rocks Me 4. Apex Blues 5. Ain't Misbehavin' 6. That Rhythm Man 7. Off Time 8. S'posin' 9. Tru Blue Lou Through Satisfied My Melancholy Baby After You've Gome Love Love Me El Rado Scuffle Deep Trouble Cryin' For The Carolines Should I? His full sound, melodic fertility, and graceful command of instrumental technique influenced other early jazz players and also swing-era clarinetists, most notably Benny Goodman.

The recordings of his Apex Club band, featuring his interplay with alto saxophonist Joe Poston, are a transition between the early jazz ensemble and the more modern swing style, as represented by the solos of Noone and his pianist, Earl Hines. To Become a Musician or Singer. Today's Articles People, Locations, Episodes. Other than Singleton, Noone was the only band member who was working regularly, performing with his own quartet at the Streets of Paris [15] : 6 in Hollywood.

Their performances on the Welles show were so popular that the band became a regular feature and launched Ory's comeback. Noone performed on four broadcasts of The Orson Welles Almanac. In Ory reflected on writing the tune, which by then was regarded a classic.

I was real sad; Jimmie was my best friend," Ory said. Then I got the band together that afternoon and we rehearsed the tune. On the show that night Mr. Welles explained the situation over the air. I don't mind saying that when we played 'Blues for Jimmie' all the musicians in the band were crying. So was Mr. Welles, and the audience, too.

Until a few nights before his death Noone continued to perform with own quartet. Dexter called Noone "a gracious, personable and musicianly artist—one whose devotion to the early New Orleans style of playing was ever apparent—and with his passing the profession lost another of its pioneers.

In August the Musicians Congress sponsored a memorial concert at the Trocadero in Noone's honor, and for the benefit of his family.

Albert Dekker was master of ceremonies. The August sessions also include Lawson Buford tuba. Noone is generally regarded as one of the greatest of the second generation of jazz clarinetists, along with Johnny Dodds and Sidney Bechet. Noone's playing is not as blues -tinged as Dodds nor as flamboyant as Bechet, but is perhaps more lyrical and sophisticated, and certainly makes more use of "sweet" flavoring.

The quartet performs excerpts of "Apex Blues" and "Boogie Woogie". Noone's discography concluded with recordings of his performances on The Orson Welles Almanac in March and April Several albums collect all of the live performances also available on the Internet Archive [18] [19] , and a few collect most of Welles's introductions of the band, including his eulogy for Jimmie Noone. Jimmie Noone died before any recording had begun. With the exception of Zutty Singleton, who had other commitments, the rest of the group stayed together and was renamed Kid Ory's Creole Jazz Band by Ertegun.

Jimmie Noone, Jr.